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"A disarming, surprising literary memoir by the ex-Police guitarist . . . A rollicking you-are-there history of the 60s–80s rock era."---Entertainment Weekly
In this extraordinary memoir, world-renowned guitarist Andy Summers provides the revealing and passionate account of a life dedicated to music. From his first guitar at age thirteen and his early days on the English music scene to the ascendancy of his band, the Police, Summers recounts his relationships and encounters with the Big Roll Band, Jimi Hendrix, Eric Clapton, the Animals, John Belushi, and others, all the while proving himself a master of telling detail and dramatic anecdote.
Andy's account of his role as guitarist for the Police---a gig that was only confirmed by a chance encounter with drummer Stewart Copeland on a London train---has been long-awaited by music fans worldwide. The heights of fame that the Police achieved have rarely been duplicated, and the band's triumphs were rivaled only by the personal chaos that such success brought about, an insight never lost on Summers in the telling. Complete with never-before-published photos from Summers's personal collection, One Train Later is a constantly surprising and poignant memoir, and the work of a world-class musician and a first-class writer.
- Sales Rank: #231112 in Books
- Published on: 2007-05-29
- Released on: 2007-05-29
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .82" w x 6.00" l, 1.20 pounds
- Binding: Paperback
- 368 pages
From Publishers Weekly
Summers—a musician best known for playing guitar in the seminal 1980s band the Police—recounts the details of his time in the spotlight and his circuitous and fantastic journey toward fame in a memoir that is just as generous (and sometimes meticulous) in providing details as it is in exploring the human toll of living out the "collective fantasy" of being a "rock god." There are many great rock moments that dazzle—hanging with Clapton, jamming with Hendrix, hallucinating with John Belushi—but the less extraordinary memories make for a more compelling narrative: he recalls his childhood in England, where, after an "immediate bond" with the guitar, "the spiritual side of life slowly fills with music." Narrated in the present tense and with occasionally vivid language (Summers recounts "the familiar backstage" as "the taste of Jack stuck on a Wheat Thin"), every rock cliché is described (drugs, sex, ego), but, refreshingly, little is romanticized. This is a stage-side account of the birth, rise and dissipation of the Police—and fans of the band will not be disappointed—but it is also an honest travelogue of a British kid who, subsisting "on a diet of music and hope," traversed the most coveted landscapes of pop culture and lived to write about it. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
The guitarist of the Police begins his entertaining, highly readable memoir of superstardom near the end, on August 18, 1983, at Shea Stadium, when the band became the first to play there since the Beatles. It was one of the band's last concerts. Thereafter, Summers discusses, quite eloquently, the Faustian pact fame seemingly involves, which in his case entailed divorce and estrangement from his daughter. He also spends a good portion of the book on his earlier life: his English seaside childhood in Bournemouth, his parents' difficult marriage (he and his younger brother were placed in an orphanage for six months), the first inklings of musical talent. He reports years of struggle, later moderate success in nationally known bands, and stints in the internationally known Soft Machine and the Animals before the Police. By his lights, life on the road with the Police was one hotel room in a strange city after another. A candid appraisal of the cost of celebrity. June Sawyers
Copyright © American Library Association. All rights reserved
Review
“A disarming, surprising literary memoir by the ex-Police guitarist . . . A rollicking you-are-there history of the 60s–80s rock era.” ―Entertainment Weekly
“A lucid account. Tells the dreamlike story of the Police's rise and fall, which Summers recounts with wit and sharp detail.” ―Rolling Stone
“Witty and impressionistic . . . Police guitarist Andy Summers writes engagingly.” ―The New York Post
“There are many great rock moments that dazzle. This is a stage-side account of the birth, rise, and dissipation of the Police.” ―Publishers Weekly
Most helpful customer reviews
3 of 3 people found the following review helpful.
Most enjoyable read
By Eric C. Petersen
Summers is an interesting (and very good) writer, a somewhat Baroque, gonzo style that is both insightful and often laugh-out-loud funny. As he points out, when he first started playing in a band as a teenager there were no "guitar heroes," no MTV, no stadium rock, or any of the trappings one now associates with the industry. He was there during the metamorphasis, and the book is an inside look at this cultural revolution, a series of real-life adventures, often bizarro; it's (fortunately) not an analysis of an era, the thing just flows along, what makes it so much fun to read. (He also seems to have a photograpic-memory recall of people and events.)
For Police fans, or those who enjoy Andy's jazz playing, his description of how his playing style evolved is enlightening. Although he knew and greatly admired the likes of Clapton, Hendrix et al, he never tried to emulate their playing - that was their thing, and Summers was more interested in ideas from Monk to Indian ragas, more free-form harmonic constructs. Moving away from traditional triadic harmony - where the third of a scale pretty much determines a major or minor feel - always seemed to be in his head, so when the Police hooked up the ingredients (including Sting's classical guitar background and openness to new ideas) were present for a new sound - stacked fifths and a lot of seconds and fourths - that makes a lot of their music so hypnotic. It all seems very simple now when one looks at sheet music, but it all came out of Summers' life experience - a pretty wild ride, but he never lost his focus.
0 of 0 people found the following review helpful.
Amazing Story, Bad Seller
By Brittany Guilbert
This is one of the best autobiographies I've ever read. Andy Summers is an amazing musician and storyteller, and his life before the Police was interesting.
As for the actual copy I ordered, well...I was aware it was an old library book, but I was grossed out by the food crumbs stuck in the pages. Good thing this book wasn't a gift.
0 of 0 people found the following review helpful.
The Incredible Life of Andy Summers
By Jeff Eskow
Reading this book was like riding a roller coaster.
I'm a huge 'Police' fan, and when I saw Andy had an auto biography out I ran out and bought it right away.
At first, I had a hard time with it. Andy writes with gret attention to detail; it's very artistic, and a bit 'lulling'.
But once you get past his childhood and into his 'musical years', it's incredible! Andy's wit is so dry and so clever, you want to sit and have a few lagers with him and just listen to him tell his tales.
In the true form of a Gentleman, Andy doesn't really dish dirt on his fellow Policemen. This was 'nice'...but everyone wants a little juicy gossip on their favorite celebs. As the book wore down and the break up of the Police was imminent, you suddenly realize that Andy is not going to say anything terribly mean (or truthfully mean) about Sting or Stewart.
I was a little disappointed with this last fact, but I still reccomend this book not only to every Police fan, but to every Guitarist. Andy played with all of the greats, and his stories about being on the road are priceless!
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