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Once Were Cops: A Novel, by Ken Bruen
Download PDF Once Were Cops: A Novel, by Ken Bruen
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Michael O'Shea is a member of Ireland's police force, known as The Guards. He's also a sociopath who walks a knife edge between sanity and all-out mayhem. When an exchange program is initiated and twenty Guards come to America and twenty cops from the States go to Ireland, Shay, as he's known, has his lifelong dream come true--he becomes a member of the NYPD. But Shay's dream is about to become New York's nightmare.
Paired with an unstable cop nicknamed Kebar for his liberal use of a short, lethal metal stick called a K-bar, the two unlikely partners become a devastatingly effective force in the war against crime.
But Kebar harbors a dangerous secret: he's sold out to the mob to help his sister. Her rape and beating leaves her in a coma and pushes an already unstable Kebar over the edge just as Shea’s dark secrets threaten boil over and into the streets of New York.
Once Were Cops melds the street poetry of Brooklyn and Dublin into a fast-paced, incomparable hard-boiled novel. This is Ken Bruen at his best.
- Sales Rank: #1059660 in Books
- Published on: 2008-10-28
- Released on: 2008-10-28
- Original language: English
- Number of items: 1
- Dimensions: 9.21" h x 1.11" w x 5.80" l,
- Binding: Hardcover
- 304 pages
From Publishers Weekly
In this stripped-down dark thrill ride from Edgar-finalist Bruen (The Guards), a psychotic Irish cop, Matthew Patrick O'Shea (everybody called me Shea), blackmails his way into a green card and a police exchange program that takes him from Galway to New York City for a one-year stint with the NYPD. Partnered with the brutal Kurt Kebar Browski (he looked like a pit bull in uniform), the clever sociopath, who has a hidden predilection for serial rape and strangulation, brazenly advances his ambitions despite intense attention from Internal Affairs and a mobster named Morronni. An acknowledged master of contemporary noir, Bruen touches all his usual themes in his trademark clipped postmodern style, a deft shorthand that enables him to romp at will through genre clichés to quickly reach deeper and more dangerous depths. No one is safe as this shocker spins wildly toward a violent finish. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
While the critics found this gritty noir tale compulsively readable, they didn't exactly know what to make of it. O'Shea is a charming narrator despite his split personality and inclination toward evil (his murder weapon: a green rosary), and reviewers found both O'Shea and his NYPD partner psychologically compelling. They also praised the short, choppy prose, which seemed appropriate to the story, and the dark, gruesome twists and turns. But the novel, devoid of pity or emotion and full of violence, may not please all readers. The reviewer from the Washington Post sums it up: "Once Were Cops is designed to appeal to readers with less refined sensibilities."
Copyright 2008 Bookmarks Publishing LLC
Review
Advance Praise for ONCE WERE COPS:
"An acknowledged master of contemporary noir, Bruen touches all his usual themes in his trademark clipped postmodern style, a deft shorthand that enables him to romp at will through genre cliches to quickly reach deeper and more dangerous depths. No one is safe as this shocker spins wildly toward a violent finish." --Publishers Weekly
"Bruen, poster boy for noir, keeps you guessing until the denouement...An unlovely tale impossible to put down. Readers asked at year's end to list the nastiest, most violent cop novels of 2008 will certainly remember this one." --Kirkus Reviews
"Shea is an otherworldly malevolence who makes ONCE WERE COPS a chilling and deeply creepy read. That Bruen renders such a remarkable character in what be called clipped free verse is further proof of his writing talent." --Booklist
"[Shea] is all about in-your-face provocation. So is Bruen in this stand-alone thriller. Suggested for public libraries as an example of first-rate nouvelle cuisine a la noir." --Library Journal
Most helpful customer reviews
1 of 1 people found the following review helpful.
This is why they call the genre "Noir." It's that dark.
By Jeff
Ken Bruen is never going to get mistaken as the author of 'Rebecca of Sunnybrook Farms.' (Although it's amusing to contemplate how he would handle that particular story.)
He writes really dark novels about really nasty, brutal people. I thought he'd topped himself with 'American Skin', but this book is even darker. It centers around an Irish policeman who comes to the NYPD and is paired up with a really toughie from the local squad. Of course, the Irish policeman has his own dark secrets that make the toughie look like one of Rebecca's friends.
Thrown into the urban playground of the worst parts of NYC, they go wild. Literally.
Bruen matches James Ellroy's ability to get inside the head of psychopaths (see Ellroy's Killer on the Road for the penultimate take) in this book. Needless to say, this book is not going to come out well for any of the main characters. However, even knowing that in advance, Bruen throws in enough unexpected plot twists to really delight.
One of the other reviewers compared Bruen to the very fine James Burke. I like Burke a lot, but I think the comparison to Ellroy is more apt. Ellroy and Bruen are both fans of stripped down prose, whereas Burke is often downright elegiac (think of his descriptions of Montana in the Dave Robicheaux series.) Burke's villains do bear some similar resemblance to Bruen's protagonists, but Burke doesn't do fundamentally bad people as protagonists. Burke's protagonists are often seriously flawed, but Bruen's are often flawed, flogged, and irretrievably screwed before you're out of the second chapter of the book.
If you like dark characters, really stripped down prose, and plots with an amphetamine pulse, you're going to like this book a lot.
2 of 3 people found the following review helpful.
"Shake Hands with the Devil"
By Gary Griffiths
There is magic in Ken Bruen's unadorned prose that is not easily identified. But once you've read it, you may wonder why it takes other authors paragraphs to conjure an image that Bruen knocks off in a single line, making it look easy. And once you've read him, you'll never mistake for anyone else in his uncluttered style telling of life on those mean streets outside the pages of "People Magazine."
"Once Were Cops" is classic Bruen: spare, lean, and brutal. In this talented writer's world, there is no black and white - but that's not to mean it is ambiguous. There is simply the absence of white. Told in the first person, Michael O'Shea - "Shea" - is a rookie "Guard" - a beat cop on Galway's cold and damp streets. He is also a sociopath subject to Jekyll and Hyde-like mood swings which transform this normally competent, if hard-edged, young policeman into a stalking serial killer who preys on young women. But Galway's streets bore quickly and the Guard's no-gun policy dampens Shea's fun, so when an opportunity for an exchange with the NYPD arises, through some mildly menacing extortion with a local pol, in jig time Shea is wearing the NYPD blue. He is teamed with "Kebar", a menace in his own right with enough attitude and baggage for an entire city precinct, hiding a mentally retarded adult sister in an exclusive nursing home courtesy of the local mafia overlord. But with the twin demons Shea and Kebar turned loose on the streets, New York City's "thugery" find themselves on the wrong end of the terror they're usually disbursing.
Bruen keeps his story lines simple and clean, and this is a fast read - easily polished off in a setting or two. But don't let the surface simplicity fool you, as the cagey Bruen is always holding a few twists up his sleeve as he feints and ducks his way to an ironically satisfying, though hardly redeeming, climax. Along the way, hardcore Bruen fans will catch Jack Taylor's cameo in Galway, and chuckle at the subliminal shout-out to crime writer-buddy Duane Swierczynski.
Look, I'll admit - Ken Bruen's brand of crime and style is not for everyone. Bruen's fatally flawed "heroes" - the deeply troubled Shea we meet here, or the alcoholic and anti-social Jack Taylor of previous Galway novels, or the boorish and brutal miscreant Sergeant Brant from the East London precinct series - will depress those looking for virtue and social redeeming value and neatly wrapped, made-for-TV conclusions. And Bruen's black themes and unvarnished fatalism are probably not the stuff Dr. Phil would prescribe to his troubled flock. But for a slice of the noir and an insightful peak into the psyche of evil, none are better equipped to deliver the goods than the fiendishly brilliant Mr. Bruen. Bravo.
0 of 0 people found the following review helpful.
wow
By Caleb
All I can say is "Wow" Ken Bruen is still sitting atop the Noir Throne, that's for sure. This is truely the Darkest piece of literature I've ever read, and I loved every minute of it!
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