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The Conjurer (Martha Beale Mysteries), by Cordelia Frances Biddle
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Intrigue, passion, and murder surround the suspicious disappearance of famed Philadelphia financier Lemuel Beale in the winter of 1842. As his daughter and only child, Martha searches for her father. She begins to develop a romantic attachment to Thomas Kelman, an assistant to the mayor who's been assigned to the case. Kelman has also been investigating the ritual slayings of several young women; a likely suspect appears to be the renowned conjurer and clairvoyant Eusapio Paladino. Could there be a connection between the two cases?
- Sales Rank: #1443452 in Books
- Published on: 2008-06-10
- Released on: 2008-06-10
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .72" w x 5.50" l,
- Binding: Paperback
- 320 pages
- ISBN13: 9780312383381
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
From Publishers Weekly
Set in Philadelphia in 1842, Biddle's second mystery to feature upper-class amateur sleuth Martha Beale (after 2007's The Conjurer) offers fully human characters and a credible plot. When a wealthy young woman goes missing, Martha and Thomas Kelman, the mayor's assistant in charge of solving crimes, investigate. As their hunt takes them into the homes of the rich, a brothel frequented by the well-to-do and the streets of the poor, Martha and Thomas must face their own feelings for each other and resolve their class differences. Meanwhile, Martha's adopted daughter, Ella, embarks on a search for her real mother, and Martha's young adopted son, Cai, worries about ghosts who come down the chimney. Exceptional attention to period detail helps transport the reader to a past very unlike our own and yet so similar. (Aug.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
In 1842 Philadelphia, Martha Beale's life changes dramatically after her father, wealthy financier Lemuel Beale, disappears while hunting. Her father's confidential secretary, Owen Simms, quietly takes over the decision making in her life, and Martha is not sure how to break free of his seemingly solicitous control. Martha believes her father might be alive, and Thomas Kelman, assistant to the mayor of Philadelphia, investigates his disappearance, along with the ritual murders of several young prostitutes. A conjurer, Eusapio Paladino, complicates matters with his visions of the murders and his affair with a wealthy society woman. Told from multiple points of view, the many story lines converge as Martha and Thomas solve her father's disappearance and find a pair of murderers. An excellent sense of time and place permeate the action, but the complex plot and multiple points of view, some unnecessary to the main story line, distract from Martha and Thomas' investigation. Leisurely pacing; numerous, well-integrated details of place and time; and appealing central characters make for a satisfying historical mystery. Sue O'Brien
Copyright © American Library Association. All rights reserved
Review
"May attract readers who loved Caleb Carr's attention to detail in The Alienist and Jacqueline Winspear's appealing sleuth, Maisie Dobbs."---Library Journal
"Masterful storytelling...transports readers to 1842--complete with sights, sounds, and a narrative that rings true to the period."---Rhys Bowen, author of In Dublin's Fair City
"An intricately orchestrated narrative....Biddle wonderfully evokes the color and culture of the time."---Publishers Weekly "Fresh and believable. Biddle knows her manners and her city, and shows both to great advantage."---Cleveland Plain Dealer
Most helpful customer reviews
0 of 0 people found the following review helpful.
Good Reading
By Lyn A
This is a good mystery story if you like settings in the 1800's. The sequel is equally enjoyable.
0 of 0 people found the following review helpful.
Philadelphia - 1842
By Lyn Reese
The book begins with the mysterious disappearance of Lemuel Beale, one of Philadephia's millionaires and father to unmarried twenty-six year old Martha. Horrendous killings of young prostitutes follow, forcing Thomas Kelman, homicide investigator to Philadelphia's mayor, to repeatedly cross class lines in his attempts to solve both mysteries. This allows for one of the book's strengths - the vivid descriptions of the city's wealthiest citizens and its most abject, living in close proximity. The author's views of events and places in the nation's preeminent industrial city in 1842, are equally interesting: the aromas and textures of Victorian era homes, the corrupt business pratices, competing fire company gangs, unsanitary prisons, race riots and the tenuous position of free or run-away slaves, the prostitute quarters, and, above all, the throw-away children - products of America's 19th century urban poverty. We also, of course, learn of "fashionable" society's fascination with mesmerism, artificial somnambulism, and conjuring.
In spite of the book's rich historical details, its weakest link is Martha, the billed character. Her role in the plot actually is very slight. Suppressed by her authoritarian father and the dictates of her class and position, docile Martha endlessly fantasizes about asserting herself, and then never really does. One hopes for a more engrossing character in the proposed future Martha Beale mysteries.
Yes, the author, a Philadelphian native, is part of the famous Biddle clan.
5 of 7 people found the following review helpful.
Not the mystery series I'd anticipated
By Baking Enthusiast
I'm afraid I wasn't as impressed as the other reviewers were with "The Conjurer." Initially, I had thought the novel an introduction to a new sleuth, Martha Beale. It is after all titled: The Conjurer, A Martha Beale Mystery, implying that Martha plays an active role in the resolution. As it turns out, Martha spends most of the time worriedly wringing her hands, or fainting, or shaking in her boots when her father's secretary bullies her, or worrying what society will think of her, or drugged up, or reacting to the events around her. By the time she develops a spine, the novel is at an end. I don't know what the product synopsis meant by her "investigation" with the mayor's assistant, Thomas Kelman; there is no investigating done by her at all. The mysteries in this story resolve themselves simply by means of fate, not from any intervention by Martha or Tom.
I also think the story is overburdened by too many characters, some of whom have very little or none to do with the plot. I get the feeling the novel was overpopulated for the purposes of creating complexity where none existed and to illustrate the wide breadth of classes in 1840s Philadelphia. Let's see, there's a spineless heroine, her future love interest, an odious secretary, a missing financier, another financier with bad manners, the financier's wife who rightfully should be the star because she has more gumption than Martha, an arrogant socialite, the socialite's disturbed husband, a mysterious man with a club foot, a 10-year-old prostitute, a sibling in an asylum, a beggar who lost her son, a boy who suffers from epileptic seizures, a domineering matron, a serial killer, an Italian necromancer, the necromancer's assistant to translate his master's ravings, a brothel madam, another society couple, and I'm sure there are a few more I've missed. Whew! If one is to mimic a Dickensian love for characters, at least make them memorable and central to the plot.
As a diehard mystery fan of the grim and dastardly kind (the mysteries, not me), I never thought I would ever say this, but there are TOO MANY deaths here. There are women who are poisoned, children killed ritualistically, a man (Martha's father) believed to have drowned but no body can be found, another man found dead in the streets, each with its own sub-plot that, by hook or by crook, probability issues notwithstanding, are forced to all be related.
A messy plot with a rushed and unbelievable ending. A tighter, better organized story with a dynamic heroine would have been infinitely superior. Sometimes too much does not mean multi-layered and complex. Sometimes it just means...well...too much.
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