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Lorna Kepler was beautiful and willful, a loner who couldn't resist flirting with danger. Maybe that's what killed her.
Her death had raised a host of tough questions. The cops suspected homicide, but they could find neither motive nor suspect. Even the means were mysterious: Lorna's body was so badly decomposed when it was discovered that they couldn't be certain she hadn't died of natural causes. In the way of overworked cops everywhere, the case was gradually shifted to the back burner and became another unsolved file.
Only Lorna's mother kept it alive, consumed by the certainty that somebody out there had gotten away with murder.
In the ten months since her daughter's death, Janice Kepler had joined a support group, trying to come to terms with her loss and her anger. It wasn't helping. And so, leaving a session one evening and noticing a light on in the offices of Millhone Investigations, she knocked on the door.
In answering that knock, Kinsey Millhone is pulled into the netherworld of unavenged murder, where only a pact with the devil will satisfy the restless ghosts of the victims and give release to the living they have left behind.
Eleven books into the series that has won her readers around the world, Sue Grafton takes a darkside turn, pitching us into a shadow land of pain and grief where killers still walk free, unaccused, unpunished, unrepentant. With "K" is for Killer she offers a tale that is dark, complex, and deeply disturbing.
- Sales Rank: #104758 in Books
- Brand: Grafton, Sue
- Published on: 2009-11-03
- Released on: 2009-11-03
- Original language: English
- Number of items: 1
- Dimensions: 6.78" h x .98" w x 4.21" l, .35 pounds
- Binding: Mass Market Paperback
- 352 pages
From Publishers Weekly
The 11th adventure of Santa Teresa, Calif., PI Kinsey Milhone has a dark tone--due in great part to Kinsey's working this case mostly at night. Kinsey agrees to look into the 10-month-old death of Lorna Kepler, a young woman whose decomposed body was discovered in her cabin so long after death that it was impossible to determine the cause. Kinsey's client, Lorna's mother, who works the night shift in a 24-hour diner, suspects murder. So does Kinsey, especially after investigating Lorna's effects and her considerable assets, some unaccounted-for. An anonymously delivered pornographic tape adds to the emerging portrait of the dead woman as an intriguingly self-sufficient, ambitious woman of the evening. In nighttime forays, Kinsey talks to an all-night deejay whom Lorna often visited at his studio; she meets--and befriends--a prostitute who occasionally teamed up with Lorna to party with clients. She also investigates the victim's day job as a part-time receptionist for the water district, where a high-stakes development project is currently raising tempers. A host of suspects includes a porn filmmaker in San Francisco, members of Lorna's family, her landlord, the water district employees and even a smooth-dressing cop, whom Kinsey talks to at night. But lack of sleep dulls Kinsey's perceptions and it takes two more deaths and the surprise appearance of a deus ex limousine to lead her to a solution. Even sleep-deprived, Kinsey shows spunk and appeal, but she is not at her sharpest here. 600,000 first printing; author tour.
Copyright 1994 Reed Business Information, Inc.
From School Library Journal
YA-Asked to investigate the death of 25-year-old Lorna Kepler, which occurred 10 months earlier, P.I. Kinsey Millhone uncovers the young woman's secret life as a high-class call girl, her half a million dollars in blue-chip investments, but no clue as to the murderer. The main plot is strengthened by several subplots including the whereabouts of a $20,000 withdrawal made the day of Lorna's death; the misleading spying antics of her landlord's wife; and the greed and jealousy of the victim's overweight older sister. Grafton's writing is vivid when describing Kinsey's soul-searching about the evil some people commit and in the resultant powerful ending. Though the 11th in the series, "K" is neither weak nor repetitive, providing excitement, intrigue, and a fierce need to finish reading it in one sitting.
Pam Spencer, Thomas Jefferson Sci-Tech, Fairfax County, VA
Copyright 1994 Reed Business Information, Inc.
From Booklist
Grafton's latest is one of her best, with popular heroine Kinsey Millhone showing more humor and spunk than we've seen in her last few outings. Grieving mother Janice Kepler asks Kinsey to investigate the nearly year-old death of her daughter Lorna. Janice believes Lorna was murdered, even though there were no signs of violence and the police concluded the young woman died of natural causes. Kinsey, always keen for a challenge, agrees to take the case and winds up working one of the oddest mysteries of her career. It seems Lorna, a part-time secretary at the local water-treatment plant, died with investments and jewelry worth nearly half-a-million dollars--surely impossible on her part-time, minimum-wage job. The trail is cold, but Kinsey is determined to uncover Lorna's secrets and find out how and why she died. Grafton's in top form on this one, offering a spicy plot, some very funny lines, and a raft of intriguing characters. Readers will puzzle and ponder over motive, method, and possible perps right up until the surprising conclusion. After somewhat lukewarm "I" and "J" books, Grafton--thank goodness!--has brought back the warm wit, idiosyncratic charm, and high-speed energy that made Kinsey Millhone such a hit. Buy a bunch of copies; this one will generate requests on a par with Grisham and King. Emily Melton
Most helpful customer reviews
0 of 0 people found the following review helpful.
One Star
By Christine Stamatopoulos
I can't believe it was a Sue Grafton book!
0 of 0 people found the following review helpful.
Five Stars
By Sally W.
Great!
23 of 24 people found the following review helpful.
A Guilty Delight
By Gregory Baird
Ahh, Sue Grafton. My guilty pleasure of choice, because with her (usually) firm grip on characterization and plotting she crafts the best mystery series out there with her alphabet mysteries -- and one could scarcely call them a 'guilty' pleasure at all. Having just read three heavy, depressing novels in a row I found that I needed an escape. So what did I do? I picked up the next installment of P.I. Kinsey Millhone's adventures and found solace in her hometown of Santa Teresa, California in the 1980s. "K is for Killer" is a step up from the clunking "J is for Judgment", but unfortunately suffers from some problems of its own. While I am imminently satisfied with "K", I am a little nervous. "H" was a flat-out stinker, "J" was pretty flawed, and now "K" shows visible signs of strain in Grafton's usually tight grip on pacing and plotting -- with only the sterling "I is for Innocent" remaining on par with the earlier books in the series. You see, while Grafton's style usually has the plot delving right into the mystery at hand (she is not an author who likes to waste time -- which is one of the things I love about her), in "K" it feels forced and unrealistic. Kinsey is approached by a client, Janice Kepler, who wants her to investigate her daughter Lorna's mysterious death ten months earlier, late on a Sunday evening. By Monday morning Kinsey has not only plowed through the background information that Janice supplied her with, but spoken to not one but TWO of the people involved in the case. Kinsey's investigation moves at such a rapid clip that it becomes completely implausible. And in all of her questioning, only one potential suspect in the entire book seems reluctant to talk to her. One suspect is even willing to squeeze her in at a moment's notice even though he has an important annual meeting in a mere fifteen minutes. Now come on -- guilty or innocent, wouldn't he rather prep for the meeting than re-hash the details of a case he's been talking to the police about for ten months?
A lot of criticism has been lobbed at this book in recent reviews that Kinsey gets too unrealistically involved in the life of a young prostitute character, and I think this is only half true. She doesn't seem to get any more involved with this character than she does with other characters in other books, but her crazed devotion to the case is startlingly out of place, and makes it appear that way. And here lies the defining flaw of "K is for Killer": its plot is remarkably contrived for a Grafton novel. Kinsey even develops a curious -- and unexplained -- case of insomnia that allows her to keep working on the case at all hours and keep the plot moving (and how lucky for her that most of the suspects also work nights, so they are always available no matter how ridiculous the hour). Another all-too-convenient set-up has her randomly showing up at a suspect's house in the middle of the night for no apparent reason other than to stumble upon someone beating them half to death with a pipe. It might have been shocking if it hadn't been so predictable -- and there's a word I NEVER thought that I would associate with Grafton. The ending is also, frankly, ridiculous, and not because of who the killer turns out to be but because of how the final confrontation plays out and where it takes place. Ludicrous -- ANOTHER word I never thought I would associate with Grafton.
So, with all of that griping why am I giving "K" four stars instead of three? Perhaps a degree of it is loyalty to Grafton, but not much. Truth is that as flawed as "K" is it's still an enjoyable ride, and it was just what the doctor ordered. I wanted a guilty pleasure and I got one, and the only troubling factor here is that "H", "J", and "K" have amplified the 'guilty' half of that equation a little too much. I look forward to continuing through the series with "L is for Lawless", but I hope that Grafton manages to bring the pleasurable aspect of her books back to the forefront.
Grade: B-
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