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"There's just one hunk of funny anecdote after another, quotes from everyone who ever mattered in the movie biz, and the thing is jam-packed with screenwriterly advice. Plus it's hilariously funny, ribald, sexy and brilliant."―Liz Smith
In The Devil's Guide to Hollywood, bestselling author and legendary bad-boy screenwriter Joe Eszterhas tells everything he knows about the industry, its players and screenwriting itself―from the first blank sheet of paper in the Olivetti to the size of the credit on the one-sheet.
Often practical and always entertaining, The Devil's Guide to Hollywood distills everything one of Hollywood's most accomplished screenwriters knows about the business, from writing advice to negotiation tricks, from the wisdom of past players to the feuds of current ones. Eszterhas has selected his personal pantheon of the most loved and loathed players in the business and treats the reader to a treasure trove of stories, quotes and wisdom from those luminaries, who include William Goldman (loathes) and Zsa Zsa Gabor (loves).
The Devil's Guide to Hollywood could only have been written by someone who loves the business as much as Eszterhas does―but who also has its number.
"Eszterhas delivers a dishy, catty mix of reminiscences and Hollywood trivia…his forte is skewering sycophants and phonies in this opinionated showcase of the underside of Hollywood life."―Publishers Weekly
- Sales Rank: #823052 in Books
- Published on: 2007-09-18
- Released on: 2007-09-18
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .92" w x 6.00" l, 1.32 pounds
- Binding: Paperback
- 416 pages
- ISBN13: 9780312373849
- Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
From Publishers Weekly
After 31 years in the Hollywood trenches and 15 films including Flashdance, Basic Instinct and Showgirls, screenwriter Eszterhas delivers a dishy, catty mix of reminiscences and Hollywood trivia in the guise of a handbook for wannabe screenwriters. Writing in a format perfect for readers with ADD, Eszterhas offers hundreds of instructive epigraphs, each an excuse for a short, gossipy paragraph. He includes a smattering of basic advice (avoid having your ideas ripped off by going to pitch meetings with a witness), warnings about producers, agents, directors and actors ("The word star is rats spelled backwards"), self-aggrandizing tales of wheeling and dealing, and tangents about various sexcapades (his own and other screenwriters'). He doesn't stint on snide comments about people he's worked with, like Sharon Stone, or about those he's refused to work with, like Michael Ovitz. Eszterhas includes fun quotes from Hollywood legends like Ben Hecht and Raymond Chandler and his fellow Hungarian, Zsa Zsa Gabor, but his forte is skewering sycophants and phonies in this opinionated showcase of the underside of Hollywood life. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Eszterhas, whose credits include Basic Instinct, Flashdance, and Jagged Edge, is one of the best-known screenwriters around and has penned a laugh-out-loud funny and useful guide for those who aspire to making it big in Hollywood. Make no mistake: Eszterhas is frank about his aim to write about the commercial aspect of screenwriting. Through quotes, quips, and anecdotes, Eszterhas lays bare the cruel and often downright strange world of moviemaking. From getting paid $4 million for an outline to learning that a rewriter is trying to take credit for one of his films, Eszterhas has an intimate knowledge of the way the business works. He firmly advises aspiring screenwriters not to live in Los Angeles, a city he finds far removed from the rest of the world, and cautions them about talking about their ideas. "Real writers sit down and write; wannabe writers sit around and talk." Aspiring and practical would-be screenwriters looking for good advice will find this offering inspiring and hilarious. Kristine Huntley
Copyright © American Library Association. All rights reserved
From the Inside Flap
In "The Devil's Guide to Hollywood," bestselling author and legendary bad-boy screenwriter Joe Eszterhas tells everything he knows about the industry, its players, and screenwriting itself--from the first blank sheet of paper in the Olivetti to the size of the credit on the one-sheet.
"The Devil's Guide to Hollywood" distills everything one of Hollywood's most accomplished screenwriters knows about the business: from writing advice to negotiation tricks, from the wisdom of past players to the feuds of current ones. Eszterhas dispenses advice as only he can: with his tongue firmly in cheek and a certain finger extended good-naturedly toward the sky. His tips on how to survive in Hollywood are based on his own rugged and real-life experiences: they are not just useful but vastly entertaining. He reveals what he's seen in Hollywood and what he's learned about writing and selling scripts there for record amounts. He also recounts bite-sized takes from personalities he either admires or loathes, sharing the richest, best industry lore that has inspired, amused or enraged him over the years.
"The Devil's Guide to Hollywood" is hilarious, ornery, colorful and wise. It could only have been written by someone who loves the business as much as Eszterhas does--but who also has its number.
Most helpful customer reviews
28 of 30 people found the following review helpful.
Straightalk about Screenwriting
By Eros Faust
Who is Joe Eszterhas? His most famous films are Basic Instinct, Sliver, Showgirls, and Jade. His first screenplay was made into a film which I've always considered one of the most underappreciated movies of all time, F.I.S.T. He has written lots of others.
About the book, I'll be honest, I loved it.
After the New York Times Book Review came out I ordered it immediately. The following Saturday, when I first had the time to devote to it, I spent the entire day reading it from cover to cover (like many of the studio executives who Eszterhas lampooms, my lips must move as a read because I'm a slow reader). Here is my take on it:
First, I think that the chapters are taken from Eszterhas' writing notebooks. That is a good thing. This is the raw data of years of reading, listening, and contemplating Hollywood and the screenwriters craft. It is filled with seemingly good advice, but advice you'd never get from, say, Richard Walter, head of the Screenwriting Department at UCLA. This is less genteel advice. This is straightalking from a veteran who has been in the trenches, survived the battles, and is here is help teach other screenwriters how to make it in the business.
Don't expect a smooth flowing narrative, except for the last chapter about his unproduced screenplay---"SACRED COW"---about and American President caught on film having sex with a cow, and owning up to it when he is caught. That Chapter, unlike the others, was written as a single essay. The remainder of the book is a collection of thoughts about writers, agents, directors, producers, actors, and Hollywood from someone who knows.
P.S. Why did I give it only 4 stars instead of 5? Amazon suffers from grade inflation. To Kill a Mockingbird gets 5 stars from me. 4 stars is still pretty darn good.
14 of 16 people found the following review helpful.
Truthful?
By D.S.
First of all, I am one of many hundred of thousands who are wannabe screenwriters/writers. I do not live in L.A. and have no intention to. That being said, I am still learning the "industry".
Joe Esterhas, a highly successful screenwriter best known for writing the films, Basic Instinct, Flashdance and Showgirls has written a funny but bitter book. This is not an autobiography but more of a personal journal type, using quotes to express his highly charged emotions and opinions in an easy to read style that gives plenty of advice to writers pursuing the Hollywood dream.
By the end of the book, after the laughing and wondering if what you read is true, or a collection of rumors and whispers by a man who is tired of the Hollywood bashing of screenwriters, seeeking revenge.
But make no mistake, you will learn:
- He hates Robert McKee and his seminars
- He hates agents
- He hates producers
- He hates directors
- He hates studio execs
- Loves and his very proud of his Hungarian heritage
- Admits openly of his own personal demons and sexual conquests
Simply put, he hates anyone in Hollywood who screws the writer over and in his eyes, it happens way too often.
Also be forwarned of foul language and lots of sex. The book is still very good with short quips to hold one's attention and there is some great advice to be taken. But as a newcomer, I am taking most of it with a grain of salt.
7 of 7 people found the following review helpful.
The screenwriter as marketer of Hollywood gossip
By Ken Kardash
Having already published one salacious account of his life as a Hollywood screenwriter (Hollywood Animal), Joe Eszterhas has decided to repackage the story as an ostensible guide for screenwriters. The title is revealing: if the writer can't decide if he is god or devil, we should be suspicious of his stated objective, if not his grandiosity. I enjoyed his irreverent tirade about the film industry from a writer's perspective. But despite being organized into chapters that address the steps in film production from screenplay to theatrical release, this is not a "how- to" guide. It is actually a collection of quotations and anecdotes only loosely related to the author's undeniable experience with producing commercially (if not critically) successful screenplays. These are presented in sound bite-sized entries stretched out with generous spacing. Each comes with a cheesy heading - such as "Reelspeak": definitions of supposedly insider vocabulary. All the empty space makes this a much quicker read than the 360-ish pages would lead you to expect. Another caveat is that many of the tasteless but amusing anecdotes he claims to have "captured" are never sourced. Some of the accounts attributed to Marilyn Monroe and others are so unflattering that I wonder if these are less gossip than examples of screenwriting craft.
I give it three stars for being a light, fun read for anyone interested in filmmaking from the screenwriter's point of view.
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