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“A small masterpiece . . . Exhilarating and genuinely fresh.” ---National Post (Canada)
Set on a Mormon ranch in nineteenth-century Utah, and inspired by the real events of the Mountain Meadows Massacre of 1857, Alissa York’s Effigy is a haunting story of a polygamous family united by faith but separated by secrets.
At the heart of the novel is Dorrie, the fourth wife of rancher, hunter, and horse breeder Erastus Hammer. A pale child bride with a mass of untamable black hair, she cannot recall anything of her life before she recovered from an illness at the age of seven. Her keenest pleasure lies in the act of bringing dead creatures to life through the art of taxidermy, and Hammer has married her not for love, or even lust, but so that she might make fitting trophies of his kills. The matter is urgent for Hammer, as he is slowly going blind.
Happy to be given this work, Dorrie secludes herself in her workshop world, away from Mother Hammer’s watchful eye and the rivalry of the elder wives. But when Hammer brings Dorrie a whole family of wolves to fashion into a tableau, she struggles with her craft for the first time in her short life, dreaming each night of crows and strange scenes of violence. The new hand, Bendy Drown, is the only one to see her dilemma and offer her help, a dangerous game in a Mormon household.
Outside, a lone wolf prowls the grounds looking for his lost pack, and his nocturnal searching will unearth the secret tensions of this complex and conflicted family.
- Sales Rank: #3726246 in Books
- Published on: 2008-09-16
- Released on: 2008-09-16
- Original language: English
- Number of items: 1
- Dimensions: 9.54" h x 1.23" w x 6.43" l, 1.24 pounds
- Binding: Hardcover
- 352 pages
From Publishers Weekly
Ungainly florid prose and a plodding narrative mar York's latest, which centers on a polygamous Mormon family in 1860s Utah. Erastus Hammer's four wives could not be more different. There is tyrannical head wife Ursula, an early convert and worshipper of founder Joseph Smith; demure Ruth, mother to most of Erastus's children and keeper of silkworms; vain ex-actress Thankful, who satisfies his sexual fantasies but can't seem to give him a child; and awkward girl-bride Dorrie, an expert taxidermist around whom the bulk of the story revolves. York traces the family's tumultuous history through dreamy flashbacks highlighting each character's suffering and conversion, with the spirit and the flesh serving as dueling poles throughout. York writes about taxidermy and the dark corners of Mormon history with impressive authority, but the overreaching prose and narrative inertia make this tough to get into. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Set in Utah in 1867, this dark novel of a Mormon family’s disintegration is rooted in the Mountain Meadows Massacre of 1857, when a Mormon militia executed 120 members of a California-bound wagon train. Raven-haired Dorrie, a survivor of the massacre, has grown up to become the fourth wife of Erastus Hammer, a horse trader and hunter. Though still only 14, Dorrie is a gifted taxidermist whose principal role in the family is to mount her husband’s hunting trophies. She is helped in this task by the new hired hand, Bendy Drown, a former circus contortionist. Other characters are equally eccentric: Ruth, wife number two, is obsessed with raising silkworms, while Lal, Erastus’ 19-year-old son, is obsessed with Ruth. The Tracker, a taciturn Paiute Indian with a past, helps out on the hunts—and don’t forget the ghostly lone wolf that prowls the grounds by night. Using flashbacks, dreams, letters, and an increasingly feverish present-tense narrative voice, Canadian writer York manages to make this outlandish plot plausible, though sometimes only barely. Fans of the gothic and operatic will overlook the flaws and embrace the foreboding tone of impending doom. --Michael Cart
Review
“York’s mesmerizing tale is rich in historical detail and driven by a cast of deftly drawn and perfectly memorable characters. . . . A wonderful book.”---Lori Lansens, bestselling author of The Girls
“Alissa York’s Effigy is a historical fiction almost frighteningly real. Her creation of Erastus Hammer’s four wives and complex household in frontier Utah is so precise and convincing, and allows the reader so entirely and readily inside, that the only uncertainty is how to get back to the present again. This is a rewarding read. Don’t miss it.”---Fred Stenson, Giller-nominated author of The Trade
“A small masterpiece . . . Exhilarating and genuinely fresh.” ---National Post (Canada)
“York’s writing is graphic and impressionistic, sharp-edged and sensual. Though both style and landscape at times bring to mind Annie Dillard and Cormac McCarthy, York’s voice is very much her own.” ---Quill & Quire (Canada)
Most helpful customer reviews
3 of 3 people found the following review helpful.
To be savored
By J. Protzman
I loved this book. It wasn't a speed read, as one other reviewer indicated, but the care and craft exhibited throughout made it a truly pleasureful experience. I especially loved all the taxidermy technology that made its way into the book. I could almost smell the room.
2 of 2 people found the following review helpful.
An intersting read about a polygamous family.
By RedCheckLady
It took me a long time to read this book and usually I am a fast reader. The main reason is the author is very detailed about the land, the clothes, and the minute details. I have a tendancy to like a more verbal interaction between main characters. This book seems like it has too many characters and all of them "seem" to be main. The only one that sticks out is Dorrie, the fourth wife. Actually, the best parts of the book to me were the past and present "stories" of the sister-wives. I wish the book would have just centered mainly on them instead of Hammer (husband), Bendy (ranch hand) and The Tracker (the indian hunter). The relationship between the first and third wives are captivating. I almost wanted to skip some of the pages just so I could get to Dorrie and the sister-wives stories. The only part that bothered me about the book was when Hammer went to get his fourth wife at the age of 14 mainly for her ability with taxidermy but had to have sex with her once "just to stake my claim". There are some books you can read over and over again and enjoy it each time. This book is not one of those--it is a ONCE IS ENOUGH read. of Over all it was an iteresting book to read but to me it seemed too long when the stories included anyone other that the women.
0 of 0 people found the following review helpful.
A dark and beautifully crafted novel
By G. Dawson
Effigy is a historical novel about a polygamous Mormon family living on a Utah farm during the nineteenth century. Although larger historical events play a role in the story (particularly the Mountain Meadows Massacre of 1857), the focus remains firmly on Erastus Hammer and his four wives. York creates distinct identities and voices for Erastus, each of his four wives, his eldest son, and two of the farm workers. As the story unfolds, the point of view shifts subtly from character to character, revealing to the reader the larger picture that is hidden from the individual characters. While nothing changes in the family's external world for the majority of the book, the inner turmoil revealed by the ever-shifting perspectives keeps the story moving. The only real action occurs at the very end of the book, but when it happens, it seems like the inevitable outcome of the combined forces and frictions built up over time. At its core, Effigy explores the link between actions and their consequences, hinting at a greater power that metes out deserved outcomes based on prior decisions.
York's prose is poetic and oblique, requiring careful attention to glean its full meaning. This passage, describing one the Tracker's perceived encounters with his dead wife, is indicative of York's complex style:
"She came to him for the first time then, his whirlwind wife, cool and drilling in the runnel of his spine. He knew her instantly, and the knowing nearly choked him with grief. Whether it was jealousy or something finer that had summoned her, the Tracker couldn't know. Sorrow, perhaps, or rage at having been forgotten, even for a moment, when she was barely six moons gone. He reached behind him with both hands to comfort her. Felt a shock like mountain runoff and then she was gone."
The above passage is written in the voice of the Tracker, a Native American employed by Erastus to help with hunting game for the family's table. Seemingly without effort, York employs a different voice for each of the eight primary characters. The below passage captures Erastus's voice, which is brasher and less sensitive than the Tracker's:
"He's a Missourian born and bred, the cruelest persecutors of God's people thus far. Never mind how he hated that river-soaked swatch of land. Not the river itself, though, the silty Grand muscling its way through his childhood, calling out to him from its catfishy snags. He only rarely penetrated its depths. He was too busy coughing up yellow batter in the Hammer Gristmill, or getting bitten raw by mosquitoes when he was lucky enough to work outside."
York masterfully weaves these diverse voices and plot lines together to create a dark and beautifully crafted novel.
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