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Circle Unbroken, by Margot Theis Raven
Download Circle Unbroken, by Margot Theis Raven
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As she teaches her granddaughter to sew a traditional sweetgrass basket, a grandmother weaves a story, going back generations to her grandfather's village in faraway Africa. There, as a boy, he learned to make baskets so tightly woven they could hold the rain. Even after being stolen away to a slave ship bound for America, he remembers what he learned and passes these memories on to his children - as they do theirs.
- Sales Rank: #357699 in Books
- Brand: Square Fish
- Published on: 2007-12-26
- Released on: 2007-12-26
- Original language: English
- Number of items: 1
- Dimensions: 10.29" h x .20" w x 9.01" l, .48 pounds
- Binding: Paperback
- 48 pages
From School Library Journal
Kindergarten-Grade 5-A book about the origins of the intricate technique and art of basket making as preserved by the Africans who were brought to America as slaves and their descendants. A grandmother guides her granddaughter's hands as she teaches her the art of basket sewing. When the child asks her how she came to make baskets, the woman's answer harkens back to a time when one of their ancestors, the child's "old-timey grandfather," is being initiated into manhood in a village in Africa. Part of the rite involves being able to make a grass basket woven or coiled so tightly that it can hold water. Soon after this event, the young man is captured, transported to America, and sold as a slave at an auction in Charleston, SC. During the day he works the fields, but by night he makes baskets, and this skill is passed down from one generation to the next. Raven's text masterfully frames several hundred years of African-American history within the picture-book format. Lewis's double-page, watercolor images are poignant and perfectly matched to the text and mood. A section at the end of the book offers information about the "coil" or "Gullah" baskets, as they are known today, as well as the regions of Africa where this art form originated. This title works as both a story and informational book; consider it as a first purchase.-Mary N. Oluonye, Shaker Heights Public Library, OH
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
*Starred Review* PreS-Gr. 3. A child today learns from her grandmother how to make a sweet grass Gullah basket, a craft that her ancestors brought with them from West Africa to South Carolina and Georgia. The clear poetic words and exquisite watercolor illustrations depict how the small circular basket holds the big circle of African American history "past slavery and freedom, old ways and new." Far across the ocean, the child's ancestor learned as a young boy to harvest tall grassy reeds and weave them into baskets to winnow the rice. When he came as a slave to a strange land and worked in the fields, he found similar grasses and continued to weave baskets in the old way, as did the woman he married. They passed on their craft and their stories, as the child's grandmother is doing now. Rooted in daily life, the metaphors grow naturally from the weaving action, with fingers that talk and show "the road ahead was over and through." The small basket serves as a beautiful way to focus the sweep of African American history, and Lewis' astonishing pictures combine the panoramas of upheaval and war with portraits of individuals in small circles weaving and passing on their heritage in craft and story. The dramatic endpapers reinforce the strength of those ever-widening woven circles, their delicate beauty and enduring connections. A historical note and bibliography are appended. Hazel Rochman
Copyright © American Library Association. All rights reserved
Review
“Gracefully constructed...as intricate as the baskets and the history to which it pays tribute.” ―Publishers Weekly, Starred Review
“Clear poetic words and exquisite watercolor illustrations depict how the small circular basket holds the big circle of African-American history....Lewis' astonishing pictures combine the panoramas of upheaval and war with portraits of individuals in small circles weaving and passing on their heritage in craft and story.” ―Booklist, Starred Review
“Raven's text masterfully frames several hundred years of African-American history within the picture-book format. Lewis's double-page watercolor images are poignant and perfectly matched to the text and mood.” ―School Library Journal
“In solemn Gullah cadences, an old woman passes on to a grandchild centuries of history embodied in the Sea Islands' distinctive sweetgrass baskets...Powerfully evoking the passage of successive generations linked by the ancient skill.” ―Kirkus Reviews
Most helpful customer reviews
0 of 0 people found the following review helpful.
and these wonderful baskets are very prevalent there - especially in Savannah
By Amazon Customer
We recently traveled to the South, and these wonderful baskets are very prevalent there - especially in Savannah. (We bought several.) This book tells the heart-warming story about those incredible baskets! Love the baskets AND the book!!
0 of 0 people found the following review helpful.
beautiful book
By R. Davenport
This book was very nice: lovely pictures, gentle storyline that was also informative. I enjoyed it very much.
10 of 10 people found the following review helpful.
A moving history of a dying art
By Stacy Deyerle
We love the South Carolina Low Country, and are proud to own a number of sweetgrass baskets, most made by the same lady. This book was a wonderful find to share with my daughter, who is almost 4. The pictures are lovely, and the history is honest without being too brutal for younger listeners. Older readers will certainly get the depth of the slave history, while it serves as a good introduction for the younger. I found it to be a poetic and lyrical read, and a good explanation of how the art of Low Country coil basket weaving (also known as Charleston sweetgrass basket weaving) has been passed down.
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