Monday, February 29, 2016

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Literature & Composition: Reading - Writing - Thinking, by Carol Jago, Renee H. Shea, Lawrence Scanlon, Robin Dissin Aufses

PACKAGE THIS TITLE WITH OUR 2016 MLA SUPPLEMENT, Documenting Sources in MLA Style (package ISBN-13: 9781319084653). Get the most recent updates on MLA citation in a convenient, 40-page resource based on The MLA Handbook, 8th Edition, with plenty of models. Browse our catalog or contact your representative for a full listing of updated titles and packages, or to request a custom ISBN. From Carol Jago and the authors of The Language of Composition comes the first textbook designed specifically for the AP* Literature and Composition course. Arranged thematically to foster critical thinking, Literature & Composition: Reading • Writing • Thinking offers a wide variety of classic and contemporary literature, plus all of the support students need to analyze it carefully and thoughtfully. The book is divided into two parts: the first part of the text teaches students the skills they need for success in an AP Literature course, and the second part is a collection of thematic chapters of literature with extensive apparatus and special features to help students read, analyze, and respond to literature at the college level. Only Literature & Composition has been built from the ground up to give AP students and teachers the materials and support they need to enjoy a successful and challenging AP Literature course.

Use the navigation menu on the left to learn more about the selections and features in Literature & Composition: Reading • Writing • Thinking.  *AP and Advanced Placement Program are registered trademarks of the College Entrance Examination Board, which was not involved in the publication of and does not endorse this product.

  • Sales Rank: #159276 in Books
  • Published on: 2010-06-11
  • Format: Print
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.52" h x 1.86" w x 6.91" l, 3.17 pounds
  • Binding: Hardcover
  • 1568 pages

About the Author
Carol Jago taught AP Literature and was department chair at Santa Monica High School for thirty-two years. She has served on the AP Literature Development Committee and as a content advisor on AP Central. She is the author of many books, including With Rigor for All: Teaching the Classics to Contemporary Students; Beyond Standards: Excellence in the High School English Classroom; and four titles in the NCTE High School Literature series. In 2010, Carol is the president of NCTE and an advisor for the Common Core State Standards Initiative. Renée H. Shea is professor of English and Modern Languages at Bowie State University and former Director of Composition. She is coauthor of The Language of Composition: Reading • Writing • Rhetoric and two titles in the NCTE High School Literature series on Amy Tan and Zora Neale Hurston. She has been a reader and question leader for both AP Literature and Language readings.  Lawrence Scanlon taught at Brewster High School for more than thirty years. Over the last fifteen years he has been a reader and question leader for the AP Language exam. As a College Board consultant in the U.S. and abroad, he has conducted AP workshops in both Language and Literature, as well as serving on the AP Language Development Committee. Larry is coauthor of The Language of Composition: Reading • Writing • Rhetoric and has published articles for the College Board and elsewhere on composition and curriculum. Robin Dissin Aufses is director of English Studies at Lycée Français de New York. She is coauthor of The Language of Composition: Reading • Writing • Rhetoric. Robin also has published articles for the College Board on the novelist Chang Rae Lee and the novel All the King's Men.

Most helpful customer reviews

10 of 10 people found the following review helpful.
Very impressive!
By Alan Friesen
As a general rule, I tend to stay away from textbooks like this when I teach upper-level English. I find that selections from student-focused anthologies don't always do what I want them to do, or the texts that I want to teach just aren't there.

Imagine my surprise, then, when I realised that this anthology includes Hamlet, The Metamorphosis (including the full version of the graphic novel by Kuiper), The Importance of Being Earnest, and Heart of Darkness. It also has a terrific collection of essays, from Achebe's classic "An Image of Africa" to Wainaina's "How to Write About Africa." It also has a handful of Seamus Heaney poems, a favourite of mine to teach at the upper level.

Your mileage may vary, of course, but I'm delighted by the wide range of texts that *I* actually would use in a class, and the price is actually reasonable considering the content. It's also hardcover, which means it'll last a bit longer banging around a student's backpack.

5 of 5 people found the following review helpful.
Well-thought out high school lit textbook
By James Forman
What a well-thought out and well-organized high school lit textbook! (But of course from Carol Jago--the next NCTE president--what would we expect!) Even for those of us who prefer a bunch of paperbacks, this is better: Instead of ordering separately Hamlet, Heart of Darkness, and Metamorphosis I'll teach from this. And the student essays and concise, clear summaries of literary terms and composition concepts make this a fairly compact, one-stop resource for a year of lit and essay writing.

0 of 0 people found the following review helpful.
Good condition!
By Amazon Customer
The book came in good condition. I bought it to return to an english teacher since I lost the one he gave me. He found no problem with it.

See all 14 customer reviews...

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Sunday, February 28, 2016

^ Ebook Download Prince of Stories: The Many Worlds of Neil Gaiman, by Hank Wagner, Christopher Golden, Stephen R. Bissette

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Prince of Stories: The Many Worlds of Neil Gaiman, by Hank Wagner, Christopher Golden, Stephen R. Bissette

Over the past twenty years, Neil Gaiman has developed into the premier fantasist of his generation, achieving that rarest of combinations—unrivaled critical respect and extraordinary commercial success.  From the landmark comic book series The Sandman to novels such as the New York Times bestselling American Gods and Anansi Boys, from children’s literature like Coraline to screenplays for such films as Beowulf, Gaiman work has garnered him an enthusiastic and fiercely loyal, global following.  To comic book fans, he is Zeus in the pantheon of creative gods, having changed that industry forever.  For discerning readers, he bridges the vast gap that traditionally divides lovers of “literary” and “genre” fiction.  Gaiman is truly a pop culture phenomenon, an artist with a magic touch whose work has won almost universal acclaim.
Now, for the first time ever, Prince of Stories chronicles the history and impact of the complete works of Neil Gaiman in film, fiction, music, comic books, and beyond. Containing hours of exclusive interviews with Gaiman and conversations with his collaborators, as well as wonderful nuggets of his work such as the beginning of an unpublished novel, a rare comic and never-before-seen essay, this is a treasure trove of all things Gaiman. In addition to providing in depth information and commentary on Gaiman’s myriad works, the book also includes rare photographs, book covers, artwork, and related trivia and minutiae, making it both an insightful introduction to his work, and a true “must-have” for his ever growing legion of fans.

  • Sales Rank: #1293608 in Books
  • Published on: 2008-10-28
  • Released on: 2008-10-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.58" h x 1.78" w x 6.53" l, 1.90 pounds
  • Binding: Hardcover
  • 560 pages

From School Library Journal
Adult/High School—Massively popular fantasy/horror writer Gaiman gets a critical treatment previously reserved for authors of the classics. It's doubtful that even the most avid fan couldn't learn something from this great work. Opening with an introductory biographical piece, the book also has a fascinating gem—an article Gaiman was hired to write in 1984 about Fantasycon VIII of the British Fantasy Society. The piece clearly displays the wit and storytelling ability that would later make him famous. His first published book was a "biography" of new-wave band Duran Duran, but what brought him fame was the writing of the "Sandman" series for DC Comics. Gaiman wrote 10 volumes of the series as well as a few spinoffs of this still frequently read classic. He also wrote quite a few other comics in this time period, and each one is given similar treatment to the "Sandman"—a plot synopsis, trivia, lists of important people and places, and a quote from Gaiman or about him. The novels, short stories, and scripts include the same information. Also included are interviews with artists and cowriters, and occasional photographs. The book ends with a lengthy interview, as well as one with his assistant. A must where Gaiman is popular.—Jamie Watson, Harford County Public Library, MD
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Fans’ guidebooks have been done for many a genre fiction star, most notably Stephen King, but unlike most of the others, this one’s getting a 100,000-copy first printing from a major publisher. Quixotic? Well, if anyone could justify such a splash for such a seemingly narrow-interest item, it would be the man who, more than anyone else, made the graphic novel commercially viable and whose most recent prose novel, Anansi Boys (2005), debuted at number one on the New York Times’ best-seller list: Neil Gaiman. In each of 10 parts, a different period or kind of Gaiman’s output—early work, the Sandman series, graphic novels, comics, novels, children’s books, short stories, verse, screenplays, and “oddities”—is described in chronology. Connections to other books, characters, and real persons are noted; quotes extracted from Gaiman’s interviews and correspondence are provided; and remarks by his many collaborators are inserted where relevant. An eleventh part contains a highly entertaining 60-page recent interview. Other big attractions are previously unpublished writings, including a comics story and a hysterical “special report,” “Who Was Jack the Ripper?” coauthored with Eugene Byrne and Kim Newman. Because Gaiman’s so congenial, witty, and unpretentious, there’s lots to enjoy here, even for those who know only corners of his tremendous oeuvre. If everyone who has bought even just the Sandman series gets a copy, a second, larger printing will be in order. --Ray Olson

Review

“This tribute is a tremendous gift to Neil Gaiman fans. . . . Well written, well organized, and fun to peruse.” —VOYA magazine


“There’s a lot to enjoy here, even for those who know only the corners of [Gaiman’s] tremendous oeuvre.” —Booklist

 

“Simply terrific . . . This is just essential reading for Gaiman fans. Highly recommended.” —Loglines

 

“Verdict: 8/10. An impressive and heartily researched tome on one of pop culture’s giants. A must for fans of the author in any of his mediums.” —Total Sci Fi

 

Most helpful customer reviews

13 of 13 people found the following review helpful.
Gaiman Guide
By EA Solinas
Over the past few decades, Neil Gaiman has become more than an author of graphic novels and fantasy. He has become one of THE authors.

And "Prince of Stories: The Many Worlds of Neil Gaiman" is more than just a homage to Gaiman's many otherworldly works -- it's also a detailed guide to his assorted comics, graphic novels and books, as well as offering insight into Gaiman and his many collaborators, and a wealth of assorted trivia and information.

First, there's a nice little foreword from Gaiman's "Good Omens" collaborator Terry Pratchett ("There was no natural unity between hat and man") and a steady introduction to who and what Neil Gaiman is.

Then there are the in-depth studies and analyses of his works -- Hank Wagner, Stephen Bissette and Christopher Golden go into the depths of his bestselling, groundbreaking graphic novel series "Sandman." Issue by issue, chapter by chapter they summarize and dissect the entire comic book series, whether it's standalone stories of the Endless, tales of Dream's sister Death, or the long shadowy journey of the titular Morpheus.

And they do plenty of dissection of Gaiman's other stories -- the "Spawn" spinoff about a warrior angel, the Eternals, "The Tragical Comedy or Comical Tragedy of Mr. Punch," the legendary "1602," the little-known "Black Orchid," the pre-Potterian budding wizard known as Tim Hunter, "Miracleman," and countless other contributions. There's even the tale of graphic novels that never really made it out into the world, or were cut short prematurely.

Gaiman's novels get the same treatment -- Wagner, Golden and Bissette don't go into quite as much detail, but they do address the important stuff, including listing and describing the poems and short stories Gaiman has written. And there's the children's books such as "Interworld," "Coraline," "Odd and the Frost Giants," "The Wolves in the Walls." At the time it was written, "The Graveyard Book"

There's even a section devoted to Gaiman's forays into television (a "Babylon 5" episode) and film (the translation of "Princess Mononoke," "Beowulf," and the stunning "Mirrormask"). Not to mention his work with Alice Cooper.

It's pretty obvious from the start that this is a labor of love for Wagner, Bissette and Golden -- it's a colourful, slightly mad patchwork of various quotes, trivia, summaries and interviews having to do with Gaiman. This isn't just a homage, but a sort of composite portrait of the artist and his work -- and it succeeds brilliantly.

Part of this is because they are so thorough -- they include detailed character summaries after every book/graphic novel, bits of trivia ("Anansi Boys" actually predated "American Gods"), influences (G.K. Chesterton and Shakespeare, among others), and quotes from Gaiman on his works at the end of each chapter ("I owe an enormous debt to Hope Mirrlees, Lord Dunsany, James Branch Cabell and C.S. Lewis...").

It also has a number of interviews with people who collaborated with Gaiman -- Charles Vess, Terry Pratchett, Mark Buckingham, Rogues, his personal assistant Lorraine Garland, and of course longtime collaborator Dave McKean.

But the best part is where Gaiman himself is. Not only is there a highly detailed, extensive interview at the end (and some sprinkled through the text), but also clever, lesser-known writings: essays on making 24 pages in 24 hours, an intricate study of the "vegetable theology," a recounting of his first-ever fantasy convention, and a hilarious study of who Jack the Ripper truly was ("'Lord Alfred, would you care to slice the tarts?' Tennyson misunderstood his monarch's request").

"Prince of Stories: The Many Worlds of Neil Gaiman" is the sort of detailed, intelligent tome that actually does justice to Gaiman's peculiar, haunting genius. Definitely a must-read.

13 of 16 people found the following review helpful.
"A book you can get lost in," per VOYA
By Amazon Customer
A note from Hank Wagner, co-author (with Christopher Golden and Stephen R. Bissette) of Prince of Stories: The Many Worlds of Neil Gaiman:

Sometimes, someone blesses you with a review that says everything you could possibly want about your work. That's certainly the case with Rachelle Bilz, who penned the review below for VOYA (Voice of Youth Advocates), a bimonthly library journal devoted to teenagers' information needs. As Neil Gaiman himself might say, it makes me very happy. To be mentioned in the same breath as Hy Bender's fine Sandman Companion is high praise indeed:

"This tribute is a tremendous gift to Neil Gaiman fans. Whether the reader wants to know the inspiration and background information for Gaiman's many works or factual tidbits about the man himself, this volume delivers. The authors, all impressive writers themselves, have conducted extensive research and interviews in their effort to create a compendium of data about one of fantasy's finest writers. Without a doubt, it is the most comprehensive resource about Neil Gaiman to date. Encyclopedic in scope, this book offers reprints of articles by Gaiman, back stories, interviews with illustrators and others who work with Gaiman, photos, illustrations, and sneak peeks at future works. Although broad in scope, this work also contains fascinating minutiae about all things Gaiman as well as entertaining quotes from him. The extensive interview with Gaiman is especially enjoyable, as are his anecdotes about celebrity and fans and his responses to movies such as Stardust. The appendixes offer a chronology, further reading, Web sites, and other helpful information. Well written, well organized, and fun to peruse, this book can be enjoyed as a cover-to-cover read or a random browse. Readers will learn a lot about Gaiman, storytelling and the writing process. A book you can get lost in, it will appeal to Gaiman fans of all ages. This impressive resource should find a place on the shelves alongside Hy Bender's The Sandman Companion (DC Comics, 1999). Reviewer: Rachelle Bilz."

0 of 1 people found the following review helpful.
Courtesy of Teens Read Too
By TeensReadToo
PRINCE OF STORIES: THE MANY WORLDS OF NEIL GAIMAN is a wonderful book for any fan of Neil Gaiman. It is an overview of his work as well as his life. It is clearly a book written by friends of the man himself and has a jovial feel to it, almost like friends telling stories about one of their own to one of their own. As a reader, one feels almost included in the circle of friendship that clearly helped to generate this book.

Virtually everything a Gaiman fan could want is included in this book, from a list of websites to discussions on characters, from family photos to cover art, and from interviews to journal entries. Gaiman's amazing accomplishments in the Science Fiction, Fantasy, Graphic Novel, and Film worlds come to life through the anecdotes and commentary in this book.

A reader comes away feeling like they have known the man for years. It is not simply a cut-and-dried look at Gaiman's amazing accomplishments or life. It carries in it the liveliness all of Gaiman's own works include.

While there is nothing that a parent of a younger child would particularly object to, this is a book written for older readers, for people who have already read Gaiman's work. If one has not read his books yet, it would be giving away some of the most wonderful joys and secret pleasures of reading books written by a master.

Gaiman is THE fantasist of our time, and his ability to shift between mediums is amazing. Considering that this book covers all of his work, some even that have not yet been published, it would be a shame to read this book before you have read or watched what Gaiman himself has created.

Reviewed by: Christina Tsichlis

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Wednesday, February 24, 2016

^ Ebook Hiding Man: A Biography of Donald Barthelme, by Tracy Daugherty

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Hiding Man: A Biography of Donald Barthelme, by Tracy Daugherty

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Hiding Man: A Biography of Donald Barthelme, by Tracy Daugherty

In the 1960s Donald Barthelme came to prominence as the leader of the Postmodern movement. He was a fixture at the New Yorker, publishing more than 100 short stories, including such masterpieces as "Me and Miss Mandible," the tale of a thirty-five-year-old sent to elementary school by clerical error, and "A Shower of Gold,"in which a sculptor agrees to appear on the existentialist game show Who Am I? He had a dynamic relationship with his father that influenced much of his fiction. He worked as an editor, a designer, a curator, a news reporter, and a teacher. He was at the forefront of literary Greenwich Village which saw him develop lasting friendships with Thomas Pynchon, Kurt Vonnegut, Tom Wolfe, Grace Paley, and Norman Mailer. Married four times, he had a volatile private life. He died of cancer in 1989. The recipient of many prestigious literary awards, he is best remembered for the classic novels Snow White, The Dead Father, and many short stories, all of which remain in print today.  This is the first biography of Donald Barthelme, and it is nothing short of a masterpiece.

  • Sales Rank: #1226047 in Books
  • Published on: 2009-02-03
  • Released on: 2009-02-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.52" h x 1.87" w x 6.53" l, 2.00 pounds
  • Binding: Hardcover
  • 592 pages

From Publishers Weekly
Starred Review. This sprawling first biography of the writer Donald Barthelme (1931–1989) complements an exemplary account of the man and his milieu with a history of 20th-century architecture, film, philosophy, visual art and political activism—not to mention a stunning exegesis of Barthelme's work and a surfeit of vignettes from New York literary life in the 1960s and '70s. Daugherty, a professor of English and creative writing at Oregon State and former student of Barthelme, renders the writer of The Dead Father in all his complexity: the experimental iconoclast, the establishment figure without a university degree who published more than 100 stories in the New Yorker, the citizen-activist, admitted alcoholic, the devoted if distant father and the prankster on the page. While Daugherty firmly takes Barthelme's side in his four troubled marriages, he assesses the writer's legacy, his champions and detractors (e.g., Joyce Carol Oates, John Gardner and the hundreds of readers who canceled their New Yorker subscriptions in 1968 to protest the publication of his catty Snow White). Like Barthelme's best stories, this unapologetically literary and ambitious book is cultural and artistic bricolage at its finest. 16 pages of b&w photos. (Feb.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
Critics unanimously applaud Daugherty for the first comprehensive, analytical biography of his former teacher. The Oregonian calls Hiding Man a "remarkably tender, sympathetic treatment" of Barthelme, and while Daugherty may have given Barthelme a glowing biography, he doesn't downplay his more negative traits. The book also does an excellent job of connecting the writer to his literary and social context. The Oregonian notes that while Barthelme can be difficult to read, "in Daugherty's hands the stories seem not nearly as challenging as they are inviting," a point echoed by the Washington Post. Readers interested in Barthelme will find an informative, entertaining biography; readers unacquainted with this postmodern giant may wish to start with one of his short story collections.
Copyright 2009 Bookmarks Publishing LLC

From Booklist
*Starred Review* Mold-breaking writer Donald Barthelme (1931–89) could have been a musician or an artist, but it was obvious from an early age that language was his gift. The oldest child in a creative “hothouse” household—his flinty father was a prominent Houston architect and his brothers, Frederick and Steven, also became writers––Barthelme honed his chops as a journalist, critic, and editor, then revolutionized fiction with his wildly creative, satirical, metaphysical, and moral short stories and novels. Published regularly in the New Yorker for many years, Barthelme became controversial and famous and yet, in significant ways, remained little known. Daugherty was a student of Barthelme’s at the University of Houston, and his fluent, enlightening biography traces the evolution of Barthelme’s complex, influential aesthetic while capturing both his whimsy and sorrow. With a colorful cast of writers and artists, involving tales of family strife and artistic excitement, Daugherty’s delving, simpatico portrait of “the first true American surrealist,” a brilliant, bedeviled writer who “insisted that humor was his only mode of seriousness,” anchors a fascinating chapter in American letters by reclaiming and redefining a risk-taking writer whose edgy legacy is found in today’s most imaginative fiction. --Donna Seaman

Most helpful customer reviews

0 of 0 people found the following review helpful.
This study of Barthelme's life enhances his work
By Trevor Seigler
When I was in middle school, I came across a weirdly-titled short story (something about painter Paul Klee misplacing a German airplane during WWI) in an anthology of American literature. The story wasn't assigned for my class, but I was intrigued and so I gave it a read (it didn't hurt that, compared to some of the other entries in that volume, the story was short). I became a Donald Barthelme fan on that day, so when I approached this book some twenty years after coming across that story, I was hesitant to have whatever slim impressions I had of the man challenged by whatever was in the book. But this biography has only illuminated what made Barthelme so special.

"Hiding Man: A Biography of Donald Barthelme" tells the story of Barthelme's life and his fiction. Born on the East Coast but raised in Houston, Texas, Barthelme never really fit into the mold of the short-story writer in the popular imagination (or in countless creative-writing workshops). Barthelme was never content to try and be confessional or straight-forward; his fiction constantly challenged and upended the rules of what short fiction could be, and in time his style became popular (there was backlash later on, as there inevitably is with any creative force, but Barthelme seems to have weathered it well). In this age of bite-sized clips from movies on YouTube or twenty-four-hour news that says very little, it might be that Barthelme is due a revival soon if his work isn't experiencing one already. His shorter works are perfect for the times we live in now, which makes it all the more a shame that he died so soon.

Tracy Daugherty, a former student of Barthelme's, exposes the man but never does so as a disservice. Warts and all, Barthelme is a sympathetic literary giant (something that's not always the case with some of the world's greatest in any field). Barthelme's father (Donald Senior) was a world-class architect, and that informs his son's work, as Daugherty points out. Barthelme became something of a fixture in the pages of "The New Yorker," and there is some price to pay for that sort of acceptance and success (what's intriguing to consider is if Barthelme might have had more "traditional success" if he hadn't been constrained by the New Yorker). Multiple marriages and two children are as much a part of his legacy as his work. Daugherty emerges with a well-rounded, fair but never fawning portrait of his former teacher, a world class writer who gave generously of his time and insight to students.

My fears of coming away from this book with a different view of Barthelme were borne out, though not in the way I anticipated. It's a rare thing to come away from a biography of someone creative and still admire them, or even admire them more, because they're just as human as you or I. But "Hiding Man" reveals that Donald Barthelme was worthy of the recognition and admiration he received in his lifetime and continues to receive posthumously. Sometimes the portrait of the artist is more flattering than we might anticipate, and that's a good thing.

9 of 10 people found the following review helpful.
Well-Written but the Last Third Is Perhaps Too Self-Censored
By Amazon Customer
Daugherty's writing is definitely skillful and often beautiful. This is one of the best biographies I've read in a long time. I found the description of the relationship between Barthelme and Roger Angell, Barthelme's New Yorker editor, especially interesting--even shocking as a glimpse into that world. It would seem, from this narrative at least, that Barthelme's entire career was pretty much made by Angell, but that Barthelme was also enslaved to the New Yorker because of the curious fiscal practice of paying writers advances for future work, thus ensuring that the impoverished Barthelme would remain in debt to the famous magazine.

The last quarter or third of this book disappointed me. The writing became coy in terms of what was left out. After multiple discussions of the towering influence Barthelme's father had on him, and how Oedipal themes of patricide flourished in Barthelme's work, Daughtery never tells us how Barthelme Sr. reacted to Jr.'s work, alcoholism, and career ups and downs. Barthelme Sr. even outlived Jr., but Sr. basically disappears from the latter portion of the book. I got a strong sense that information was being withheld by the author, that probably Daughtery is protecting living members of the Barthelme family with whom he needed to collaborate to do as good of a job as he did.

In summary I would say this is a near-great book but it's marred by this possible self-censorship and withholding. Perhaps we'll have to wait for another couple of decades for another generation to produce the truly great Barthelme bio.

7 of 7 people found the following review helpful.
Top-notch -- bio & analysis w/ something to say
By John Domini
I finished this over the weekend, in a matter of days after I picking it up, & I found it nothing short of masterly. Tracy Daugherty begins w/ a crucial understanding, namely, that Donald Barthelme's life & career set a challenge for American imaginative literature, for what it holds valuable. So this entire espresso-rich compendium of pertinent life-detail -- reaching back to the founding of Houston & of Greenwich Village, to the structure & symbolism of Dante's DIVINE COMEDY, to the place of Andromache & Penelope in Homeric myth -- the entire book -- neglecting none of Barthelme's busy family, none of his stabs at reporting, at teaching, at art-curating, collage-making, radio-writing, jazz-playing, & none of his heavy drinking either, & certainly neglecting none of his many wives & lovers, a number of them (like Grace Paley) superb artists themselves -- still the entire biography never gets far from its argument. Barthelme's work, in Daugherty's ever-sensitive assessments, never lacks for the *edge* that drove it. As a writer, he was always up against the prevailing powers, & always subverting them w/ wit, intelligence, surprise, & a "golden ear" (to borrow the expression several of the former lovers & friends in this book find themselves using). In HIDING MAN Barthelme has a life-story worthy of the struggle to which he, all light-heartedly, dedicated his vocation. Anyone seeking to matter in the arts could learn from the fascinating, scrupulous, & highly humane scholarship Daugherty brings off here.

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Tuesday, February 23, 2016

~ PDF Download Sizzling Sixteen (Stephanie Plum Novels), by Janet Evanovich

PDF Download Sizzling Sixteen (Stephanie Plum Novels), by Janet Evanovich

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Sizzling Sixteen (Stephanie Plum Novels), by Janet Evanovich

Trenton, New Jersey, bounty hunter Stephanie Plum has inherited a "lucky" bottle from her Uncle Pip. Problem is, Uncle Pip didn't specify if the bottle brought good luck or bad luck….

BAD LUCK
Vinnie, of Vincent Plum Bail Bonds, has run up a gambling debt of $786,000 with mobster Bobby Sunflower and is being held until the cash can be produced.

GOOD LUCK
Being in the business of tracking down people, Stephanie, office manager Connie, and file clerk Lula have an advantage in finding Vinnie.

BAD LUCK
Finding a safe place to hide Vinnie turns out to be harder than raising $786,000. Not even local stoner Walter "Moon Man" Dunphy is up to the task.

GOOD LUCK
Between a bonds office yard sale, Mooner's Hobbit-Con charity event, and Uncle Pip's lucky bottle, they just might raise enough money to save the business, and Vinnie, from ruin.

BAD LUCK
Saving Vincent Plum Bail Bonds means Stephanie can keep her job as a bounty hunter―and keep hunting down a man wanted for polygamy, a turnpike toilet paper bandit, and a drug dealer with a pet alligator named Mr. Jingles.

GOOD LUCK
Being a bounty hunter comes with its perks, namely Trenton's hottest cop, Joe Morelli, and the dark and dangerous security expert, Ranger. With any luck at all, Uncle Pip's lucky bottle will have Stephanie getting lucky―the only question is…with whom?

Janet Evanovich's Sizzling Sixteen…so hot, the pages might spontaneously combust!

  • Sales Rank: #82187 in Books
  • Brand: St. Martin's Paperbacks
  • Published on: 2011-06-21
  • Released on: 2011-06-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.75" h x 1.03" w x 4.09" l, .38 pounds
  • Binding: Mass Market Paperback
  • 352 pages
Features
  • Great product!

From Publishers Weekly
In this tepid Stephanie Plum adventure from Evanovich (Finger Lickin' Fifteen, etc.), a personal case distracts the Trenton, N.J., bondswoman from tracking the usual group of eccentric skips--the kidnapping of her cousin, Vinnie, who's being held for ransom in the high six figures. As Stephanie, sidekick Lula, and office manager Connie soon realize, Vincent Plum Bail Bonds is seriously in the red due to Vinnie's gambling. Vinnie's also gotten caught up with local mobster Bobby Sunflower in a complicated scheme. Even though her sleazy cousin isn't her favorite person and chasing oddball felons isn't her ideal career, Stephanie knows family loyalty counts for something, plus she owes him for giving her a job all those years ago. So with Lula and Connie in tow--and romantic interests Morelli and Ranger lurking in the background-- Stephanie must save the day once again. Evanovich is at her best spinning the bizarre subplots involving Stephanie's bail jumpers, but the larger story simply recycles elements from previous installments.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Stephanie Plum, half-Italian, half-Hungarian, a shrewd mixture of smarts and dumb luck, works for her cousin Vinny as a bail bondswoman in Trenton, New Jersey. Vinny, however, is in deep fecal matter, owing too much money to the very scary guys who have kidnapped him. Stephanie, office manager Connie, and Lula, plus-sized and focused (if not on the job at hand), manage to spring Vinny (more than once) and find a lot of money to pay what he owes. Along the way, they facilitate a cow stampede and an alligator escape; are assisted by a bunch of Hobbit con-goers; and find their office going up quite thoroughly in flames. Stephanie wrecks the usual car and ping-pongs between the hot and dangerous Ranger and the hot and domestic Morelli. Ranger says the “love” word to Stephanie, but it is Morelli at the end, offering her a pink, lacy thong. In the first few pages, Evanovich both catches readers up on the hilarious and cockeyed history of the preceding 15 books and gives fans a little more of everything they want, including the return of beloved stoner Mooner. Funny, scary, silly, and sweet. --GraceAnne A. DeCandido

Review

“LAUGH-OUT-LOUD FUNNY” ―St. Louis Post Dispatch on Janet Evanovich’s Stephanie Plum novels

“HOT AND SASSY” ―The Boston Herald on Janet Evanovich’s Stephanie Plum novels

“A PLUM PICK.” ―People on Janet Evanovich’s Stephanie Plum novels

“IRRESISTIBLE.” ―Houston Chronicle on Janet Evanovich’s Stephanie Plum novels

“BRILLIANTLY EVOCATIVE.” ―Denver Post on Janet Evanovich’s Stephanie Plum novels

“OUTRAGEOUS.” ―Publishers Weekly on Janet Evanovich’s Stephanie Plum novels

“STUNNING.” ―Booklist on Janet Evanovich’s Stephanie Plum novels

“OFF BEAT AND HILARIOUS.” ―Romantic Times BOOKreviews on Janet Evanovich’s Stephanie Plum novels

“HIGHLY ENJOYABLE…WHO CAN RESIST?” ―Chicago Tribune on Janet Evanovich’s Stephanie Plum novels

“A GOOD TIME.” ―New York Daily News on Janet Evanovich’s Stephanie Plum novels

“AS ENTERTAINING AS EVER.” ―Entertainment Weekly on Janet Evanovich’s Stephanie Plum novels

Most helpful customer reviews

472 of 512 people found the following review helpful.
More fizzle than sizzle...
By Cheryl Shifflet
Having read the vast majority of the Stephanie Plum series by Janet Evanovich, I was more than a little excited about the latest installment in the series. I pre-ordered it for my Kindle and began reading it on the subway ride the morning it was released. That alone should tell you how eager I was about the release of this book. Unfortunately, not only did it fall short of my expectations (I also found a downside to the Kindle, you can't chuck it across the room when you're ticked-off like a regular book), but left me incredibly frustrated.

While I'm used to the madcap adventures of Stephanie, Lula, and Grandma Mauzer I was more than a little put off with the pure insanity of this book. First off there was this lucky bottle, which is made out of glass that Stephanie carries around in her handbag throughout most of the story. I'm still trying to figure out how it never broke, especially considering she was chased by an alligator at one point (don't ask!) and ran off a collapsing fire escape.

Also not to mention the fact that Ranger willing gave her two cars (which of course end up destroyed). I'm certain he likes her a whole lot, but I don't think anyone could like someone so much so that they would let them destroy two vehicles and not make her pay for them. Odd. What was also odd was how she was saved when she was in a terrible pickle, Hobbits anyone?

My other biggest issue was the sheer amount of Lula I had to endure. Don't get me wrong Lula is a fun character, but in moderation. I felt like she was in every scene, spewing bad grammar at every turn. At some point it grated on my nerves and I almost wished the alligator would've eaten her! Mean I know, but there's only so much tight pink spandex and Cluck-in-a-Bucket a girl can take.

The most glaring problem is the continuous flip-flopping Stephanie does when it comes to her love life. Nothing developed on this front at all. No choice has been made. She moons for Ranger when she sees him and then longs for Joe when she's in his presence. I don't know how either man tolerates her inability to commit to one of them for more than a week. It's getting a bit played out.

Janet, it's time Stephanie grew up. She grumbles constantly about how much she hates bounty hunting, well get another job and/or settle down! She can't bring herself to decide who she wants as a permanent fixture in her life. She needs to stop stringing two guys along like a sixteen year old who can't decide if she wants to take the cool motorcycle bad boy or the star quarterback to the prom. I understand that if she does one or both of these things the series is over, but maybe it's for the best. It's been a fun, wacky ride and I've enjoyed every minute until this installment. The next book should be called Sayonara Seventeen.

209 of 224 people found the following review helpful.
Sizzle? Did I Miss Something?
By Red Head
I love this series but I completely agree with other reviewers. There was no sizzle at all. Yes, it had very funny moments that reminded me of Plum books past, but the redundancy of said humor, action sequences and even style of writing made this book almost tedious. In fact, the comedy and action is starting to play like a sitcom...and I don't want to read a book that plays like a tv show.

The men 'in' her life were hardly 'in' her life, as we didn't see much of them in this one. Please, PLEASE make a decision about your love life Stephanie. It's gotten very old and extremely stale.

I know I keep coming back because I want to see some movement, some resolution, in her love life and her professional life, and its just not happening.

153 of 163 people found the following review helpful.
Stone-cold Sixteen...
By Cynthia K. Robertson
I have been a Janet Evanovich-junkie from the very beginning. Maybe it's because I'm from New Jersey and live less than 20 miles from The Burg. Maybe it's because Evanovich's bounty hunter, Stephanie Plum is funny, irreverent, outrageous and unpredictable. Even the books that weren't as good as her first efforts were still entertaining, with at least a few great belly-laughs. Well, I'm sorry to say that her latest, Sizzling Sixteen, could be called Stone-Cold Sixteen instead. This book is barely entertaining--and mostly stupid. I hate to admit this, but it's the truth.

Stephanie works for a bonding agency run by her cousin Vinnie. Unfortunately, Vinnie has run up gambling debts with his bookie. The bookie has him kidnapped with the threat to kill if the money isn't forthcoming by Friday. Worried about losing their jobs, Stephanie, Lula and Connie decide that they must act. Their first goal is to find Vinnie. Afterward, they'll try to come up with the money. This plot is pretty lame, and if that isn't enough, it's filled with cows running through the streets of Trenton, a 6 foot alligator that guards drug money in a private home and a hobbit convention. There are enough donut and chicken stops to swear you off grease for the rest of your life.

Some of the best parts of Sizzling Sixteen are Evanovich's descriptions. As for Trenton, The Burg "is a neighborhood of hardworking second-generation Americans. Families are extended and proudly dysfunctional. Although dysfunction in Jersey might be hard to measure." As for Plum's relationship issues with Joe Morelli and Ranger, "I was in a state because I had two men in my life, and I had no clue what to do with them....I was too traditional and Catholic to just enjoy them. How sick is that? I wasn't a practicing Catholic, but I had guilt." Unfortunately, Evanovich's characters have become stale, the antics are boring and the plots are dumb.

It's definitely time for her to get back to her old-self or else, marry off Stephanie and end this series. I always look forward to a new Evanovich, but I'm sorry that I spent the money for this one.

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Monday, February 22, 2016

~~ Ebook Download Current Issues and Enduring Questions: A Guide to Critical Thinking and Argument with Readings, by Sylvan Barnet, Hugo Bedau

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Current Issues and Enduring Questions: A Guide to Critical Thinking and Argument with Readings, by Sylvan Barnet, Hugo Bedau

Current Issues and Enduring Questions: A Guide to Critical Thinking and Argument with Readings

  • Sales Rank: #808456 in Books
  • Published on: 2001-07-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 6.25" w x 1.25" l,
  • Binding: Paperback
  • 865 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
conditions
By Annette Gonzalez
this book is really good eye opening if you have an open mind you'll learn a lot from it. conditions of the book were excelent

36 of 37 people found the following review helpful.
An excellent reference text for readings on contempory issue
By A Customer
The book is in two parts: the first lays down the elements of citical thinking and the art of dissecting an argument, and the second is an excellent selection of readings which offer both pro and con views on a wide variety of social and moral subjects.
I find myself continually referring to the second section of the book, because the readings selected are compelling, and very well written. They include modern writers, as well as the best writings of past authors who explore contemporary issues of their day. That they continue to be "hot" issues today speaks to the continuing struggle we have with certain kinds of issues.
After each pair of readings the authors have offered a series of questions for further thought, which can be used for independent analysis of the reading, or as part of a course in critical thinking. I found these questions very helpful in stimulating discussion with others, especially those with strong feelings in the subject areas.
This book has become a "must read" in my circle of critically thinking frinds.

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* Get Free Ebook Young, Restless, and Broke: A Novel, by Blossom Kan, Michelle Yu

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Young, Restless, and Broke: A Novel, by Blossom Kan, Michelle Yu

An aspiring young soap actress moves to L.A. to pursue the job—and man—of her dreams

Sarah Cho always knew that she’d have to rough it as an aspiring soap actress in order to fulfill her dreams. Flipping burgers and bartending to pay the bills, she is going nowhere far in New York until she meets Daniel Wong, a dazzling Hollywood soap opera producer. Instantly smitten, Sarah jumps at the chance to move to L.A. to pursue her ambitions— and a relationship with Daniel. But will Tinseltown be all it’s cracked it to be?

  • Sales Rank: #6934397 in Books
  • Published on: 2010-04-27
  • Released on: 2010-04-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.53" h x 1.01" w x 5.76" l,
  • Binding: Hardcover
  • 256 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
EXCELLENT READ!
By Alexander Halter
I was so pleased to discover that Michelle Yu had published another book. Her first book was a great read and the 2nd one did not disappoint. I know they say this all the time, but I really could not put it down. The book does an excellent job of weaving story telling with entertainment. No doubt, it's a book I will read again and that's saying allot.

I wanted to get to her book signing in New York City but could not, maybe I'll get to meet her when the 3rd book is published.

Anyway, it's a great read and would make a great gift for both men and women.

0 of 0 people found the following review helpful.
Great read
By gls
Love their books...can really relate! These 2 authors need to write more novels. China Dolls is a good one too!

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Saturday, February 20, 2016

** Download The American Promise: A History of the United States, Compact Edition, Volume II: From 1865, by James L. Roark, Michael P. Johnson, Patric

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The American Promise: A History of the United States, Compact Edition, Volume II: From 1865, by James L. Roark, Michael P. Johnson, Patric

NEW CONDITION. 2ND COMPACT ED. VOL II 2002. TEXT is clean and without marks or highlighting BINDING is tight and square COVER has no edge wear and light surface scratches from handling, only. looks unread and unopened. prompt shipping, good service, careful packing. free Delivery Confirmation.

  • Sales Rank: #2669113 in Books
  • Published on: 2002-12-16
  • Original language: English
  • Number of items: 1
  • Dimensions: .68" h x 7.92" w x 10.06" l,
  • Binding: Paperback
  • 444 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
This book was a waste. I had to purchase it for a college ...
By Shaun
This book was a waste. I had to purchase it for a college class. It was bane and boring with biased information. Like most textbooks it quickly lost all of its value and is better used as fire wood than for actual reading.

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
The book was in great conditions!

0 of 0 people found the following review helpful.
Five Stars
By Vanessa Garcia
Exactly what I need for class!

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Friday, February 19, 2016

^ Ebook Free The Adventures of Huckleberry Finn (Case Studies in Critical Controversy), by Mark Twain

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The Adventures of Huckleberry Finn (Case Studies in Critical Controversy), by Mark Twain

Like its popular predecessor, this critical edition is designed for "teaching the conflicts" surrounding Mark Twain’s classic novel. It reprints the 1885 text of the first American edition (with a portfolio of illustrations) along with critical essays representing major critical and cultural controversies surrounding the work. The novel and essays are supported by distinctive editorial material — including introductions to critical conflict in literary studies, to Twain’s life and work, and to each critical controversy highlighted in this edition — that helps students grapple not only with the novel’s critical issues but also with cultural debates about literature itself. In addition to several new critical essays, the second edition includes an appendix on how to argue about the novel so that students may more effectively enter the critical conversation about its issues.

  • Sales Rank: #141542 in Books
  • Published on: 2003-12-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.26" h x .75" w x 5.46" l, 1.20 pounds
  • Binding: Paperback
  • 550 pages
Features
  • Used Book in Good Condition

Amazon.com Review
A seminal work of American Literature that still commands deep praise and still elicits controversy, Adventures of Huckleberry Finn is essential to the understanding of the American soul. The recent discovery of the first half of Twain's manuscript, long thought lost, made front-page news. And this unprecedented edition, which contains for the first time omitted episodes and other variations present in the first half of the handwritten manuscript, as well as facsimile reproductions of thirty manuscript pages, is indispensable to a full understanding of the novel. The changes, deletions, and additions made in the first half of the manuscript indicate that Mark Twain frequently checked his impulse to write an even darker, more confrontational book than the one he finally published.

From Publishers Weekly
Considered the first great American novel, part of Finn's charm is the wisdom and sobering social criticism deftly lurking amongst the seemingly innocent observations of the uneducated Huck and the even-less-educated escaped slave, Jim. William Dufris's voice, unpretentious and disarming, like the book's main characters, seems the perfect armature on which to hang this literary strategy. Although he does an expert job with the entire cast, Dufris's delivery of Jim's dialogue is his crowning achievement. Out of context, Dufris's Jim might sound mocking and racist, due to his expert delivery of Twain's regional vernacular. Ignorance and intelligence, however, are not mutually exclusive, and taken as a whole, Jim's mind and heart come shining through, allowing the listener to reflect on their own assumptions. Tantor Media includes the entire text as a digital e-book on the final CD, a wise and thoughtful move in a market with swift and changing currents.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Grade 9 Up-All the highwater tales of Huck's journey are in this abridged versionAhis faked death, the Jackson Island sojourn, the Grangerford-Shepherdson feud, the Duke and the King, and his reunion with Tom Sawyer. Along the way, we are treated to a sensual feast of the sights, smells, and rhythms of the Mississippi River and the humanistic education of Huck that culminates in his assisting in Jim's escape. The familiar adventures of Huck and runaway slave Jim's odyssey on a raft floating down the Mississippi have been well documented previously in audio format with noted versions read by Ed Begley, Will Wheaton (both from Dove), and the 1985 Grammy nominated Durkin Hayes production read by Dick Cavett. This version, beautifully read by actor Mike McShane, is a wonderful contribution to the recorded Twain canon. McShane handles multiple characterizations well, but excels in Huck's folksy narrative voice and Jim's understated power and dignity. School and public libraries should not miss this excellent rendition.
Barry X. Miller, Austin Public Library, TX
Copyright 2000 Reed Business Information, Inc.

Most helpful customer reviews

1144 of 1181 people found the following review helpful.
A controversial masterpiece
By JLind555
Okay, we all know the plot, so there's no sense in rehashing it; but this book has generated a great deal of heat and very little light lately, it's been banned in some school districts and attacked as racist garbage, so this review will address the question: Is "Huckleberry Finn", in fact, a racist book?

The charge of racism stems from the liberal use of the N word in describing Jim. Some black parents and students have charged that the book is humiliating and demeaning to African-Americans and therefore is unfit to be taught in school. If there has been a racist backlash in the classroom, I think it is the fault of the readers rather than the book.

"Huckleberry Finn" is set in Missouri in the 1830's and it is true to its time. The narrator is a 13 year old, semi-literate boy who refers to blacks by the N-word because he has never heard them called anything else. He's been brought up to see blacks as slaves, as property, as something less than human. He gets to know Jim on their flight to freedom (Jim escaping slavery and Huck escaping his drunken, abusive father), and is transformed. Huck realizes that Jim is just as human as he is, a loving father who misses his children, a warm, sensitive, generous, compassionate individual. Huck's epiphany arrives when he has to make a decision whether or not to rescue Jim when he is captured and held for return to slavery. In the culture he was born into, stealing a slave is the lowest of crimes and the perpetrator is condemned to eternal damnation. By his decision to risk hell to save Jim, he saves his own soul. Huck has risen above his upbringing to see Jim as a friend, a man, and a fellow human being.

Another charge of racism is based on Twain's supposed stereotyping of Jim. As portrayed by Twain, Jim is hardly the ignorant, shuffling Uncle Tom that was so prevalent in "Gone With the Wind" (a book that abundantly deserves the charge of racism). Jim may be uneducated, but he is nobody's fool; and his dignity and nobility in the face of adversity is evident throughout the book.

So -- is "Huckleberry Finn" a racist book? No. It's of its time and for its time and ours as well, portraying a black man with sensitivity, dignity, and sympathy. If shallow, ignorant readers see Jim as a caricature and an object of derision, that's their problem. Hopefully they may mature enough in their lifetime to appreciate this book as one of the greatest classics of American literature.

And for those who might be wondering -- this reviewer is black.

Judy Lind

60 of 61 people found the following review helpful.
Amazing Edition of a Classic Work
By mp
Mark Twain's 1885 novel, "The Adventures of Huckleberry Finn," has had a long history, during which it has been and still is both reviled and celebrated. Essentially the story of the picaresque travels and adventures of a young Missouri boy and his friend Jim, a runaway slave, in 1840's America. Taking cues from books like "Don Quixote" and Jonathan Swift's works, and a fraught relationship to Sir Walter Scott's historical romances and those of his protege, James Fenimore Cooper, Twain constructs a masterful first person narrative, through the eyes of 14 year old Huckleberry and a profound and hilarious satire on American culture.
"Huckleberry Finn" begins in tension - Huckleberry's fortune and wardship with the well-meaning widow Douglas has him in a bind. The widow wants to 'sivilize' him, taking him out of the happy go lucky, easy going lifestyle he loves, while his fortune of six thousand dollars has him living in perpetual anxiety of his father, a violent drunkard whose absence only makes Huck more anxious about his return. When Huck's pap does return, sure enough, Huck is remanded, more or less, to Pap's custody, and kept prisoner in a secluded cabin. Though he is no longer being 'sivilized,' his time with Pap becomes more and more tense and lonely, driving Huck to stage his own death and run away from Pap and from civilization. Early in his escape, on a small island in the Mississippi River, he meets Jim, a slave from his town of St. Petersburg, who has run away, planning to raise money in the north to buy his family out of slavery. Together, Jim and Huck form a friendship that will take them up and down and all around the Mississippi River.
"Huckleberry Finn" deals with a great many social issues, and none more interestingly than with conventional morality. With Huck, he effectively creates an outside position from which to view American culture as he sees it, with all of its pretentions and faults. Huck doesn't put much stock in widow Douglass' or Miss Watson's strictly defined notions of religion or morality - throughout the novel, we see him in constant conflict with himself over the fine line between what is considered right and wrong, and what is accepted as such. Huck's inner negotiations with prayer and morality, good and evil, are at the heart of the novel. His post-Emersonian, proto-Nietzschean manner of dealing with himself and his relationship to society is fascinating and compelling. His relationship with the runaway slave Jim, of course, is also a focal point of the novel - the ways in which Jim and Huck depend on and care for each other is both moving and of course, socially and politically suggestive and significant, especially in the historical context of the novel, both the setting, prior to the Civil War, and its published era, at the tail end of Reconstruction. Those who would be offended by racial epithets in common parlance during this time period would be advised to take historical context into account before railing against the novel's racial politics - if one gets unduly caught up in nitpicking such things, one falls into the trap of the satire, become a target in the process.
As satire or black comedy, "Huckleberry Finn" has at every moment the ability to make us laugh out loud at ourselves and at the situations in the novel - from the fraudulent actions of the King and the Duke, to Tom Sawyer's needlessly elaborate scheme to free Jim from slavery, to well-born cultured families feuding, to all the cross-dressing that goes on in the novel (and there is a lot of it!). Again, though, as black comedy, we may often catch ourselves laughing, then wondering, hey, that isn't very funny - this is the brilliance of Twain's artistic achievement; to make us laugh while looking critically at ourselves. A book that is uniquely American, Twain's humour, wit, and style contribute to give us a look at both Antebellum and post-Reconstruction America through the eyes of innocence and experience, to see how far the nation had come since the days of Washington, and how far it still had (and has) to go.
This 1998 Norton Critical Third edition of "Huckleberry Finn" is truly amazing. It restores the entire text from the manuscript, including among other things, the "Raftsman's episode" and all of the original illustrations. The supplementary materials in this edition are top-shelf also, with excerpts covering the controversy surrounding the novel, from its publication to the present. The critical selections are excellent as well, especially the incisive and yet startlingly personal essays by T.S. Eliot and Toni Morrison. This is probably the best current edition out there of this tremendous, and tremendously complicated American classic.

132 of 143 people found the following review helpful.
Twain at his best!
By Dennis Phillips
Back during my school days this was still not a book that was considered to be politically incorrect and so I was supposed to read it. As was far too often the case, I got by on little more than watching the movie version and never bothered to read this masterpiece. A few months ago I picked up a copy to put in my library for my grandson to use when he got old enough to go to school. Unfortunately this has been classified as a children's book and so I had little intention of reading it when I bought it.

After discussing a book about President Grant and Mark Twain with a friend I decided that I should read this book and I soon found out just how much of an adventure I had been missing. Twain's well deserved reputation as a storyteller is on clear display in this book from cover to cover. The reader is drawn into the lives of the characters to the point of being really disturbed when something bad happens to them. Sure, they steal and they lie but you will love them in spite of everything.

The story basically follows the adventures of young Huckleberry Finn and a runaway slave named Jim. Finn is trying to escape has father and the efforts of the townspeople to civilize him while Jim is trying to escape slavery. More to the point, Jim is trying to escape being sold down the river, which was always a worry for slaves in the upper south.

There is a strong moral point to this book as Huck slowly learns to love Jim as a friend and not think of his skin color. Early on Huck is worried about helping a runaway slave and isn't sure what to do. Having been raised in Missouri, Huck has been taught that helping a slave run away is one of the worst sins imaginable and that African-Americans are pretty much worthless except as slaves. It takes a while for the truth to come to Huck but he finds that he is determined to help his friend get his freedom, no matter what. Huck ends up risking his own life to do just that.

This book is a pure joy to read and I suggest you read it without looking for a political agenda. Just let the story flow and enjoy each word. The dialects used may slow you down a bit at first but they add so much to the flow of the book that they are quite indispensable. This is a wonderful story, full of youthful innocence and backwoods charm. Just one little warning though, once you start reading you won't be able to put this book down.

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